It was fantastic to see Mandy Williams work up close as we have worked with her on F&A in the past. Her series ‘Unseen Landscapes’ was one of the highlights of the exhibition for us.
— Jasmine Farram, Fleur and Arbor
This multifaceted photographer has a fantastic eye for detail, composition and atmosphere...
Mandy Williams’ photographs of her three-dimensional constructions consider just what it is that makes a house a home, whether broken or otherwise.
— Printmaking Today
A techno-echinoderm hybrid from some nightmarish Lovecraftian rock pool.
— Jez Winship, Sparks in Electrical Jelly
Moments and places of tension because the characters in her work take risks to get there
— Sally Trash, Lola Magazine, Toronto
Compelling and intense
— Paula Wild, The Record, Comox Valley
Williams’ theme takes on a stunning force … haunting look at the family home
— Mary Frances Hill, Westender
A unique body of work … earned her exhibitions, awards and a respected position in the fine arts community north of the border
— Photomedia, Seattle
Goes beyond the photographic process to create a whole new genre of image
— Marilyn McEwen, Camera Canada
Images play with the tension between mechanical processes and hand-rendered art, and the effect is, both interesting and quite beautiful
— Gillian MacKenzie, The Metropolitan Museum of Art, New York
Williams has created beautifully crafted portraits of the land which also prompt the viewer to think about their own interaction and connection with the world around them
— Cary Benbow, Editor, Wobneb Magazine are capable of establishing a presence and such an atmosphere of memories ... 
— LandEscape Art Review
Stunning and haunting ... the viewer feels as though he or she is voyeuristically peering into other people’s lives.
— Allison Tetrault, Dulwich OnView
I find this image and series extremely evocative...
— Daniel Leng, Founder, Point + Line
House 6 is a compelling and powerful image ... You can attach a meaning on many levels.
— Irena Czapska, Spike Print Studio, Printmaking Today
Imaginative sensibility… sensually and psychologically intriguing
— Paula Gustafson, Asian Art News
Evocative ... Williams’ way of portraying this idea is canny and effective.
— Aislinn Leggett, Slightly Lucid
A striking portfolio.  Premise of the family series is compelling and timely… excellent work
— Aperture Foundation, New York
Extremely compelling new works
— Paula Gustafson, Asian Art News
Mandy Williams‘ images in Before portray surfaces and reflections, not liquid but aerial, merging interior and exterior landscapes of a housing estate prior to its demolition.
— L'Oeil de la Photographie