May 2025

May is Photo month in London with Photo London Fair and Peckham 24. This year I was excited to be an exhibitor at Photo London in the Exhibitors’ Hall with 14 other members of the Photo Book Club Collective. We shared the invigilation over the five days and it was a great opportunity to catch up with photo friends, meet new people, see photography from around the world, and talk about photography and photo books. Thanks so much to everyone who purchased a copy of my edited zine, Chalk.

In May I had a free day to head down to the coast with my camera and shoot some stills and moving image. It was a brief visit, but it felt good to take photographs again after many months. I’m still thinking about making another short film and the ideas have been around for a while. Not adding pressure with a completion date as life has been busy and unpredictable so far this year.

April 2025

In early April I visited the Photo Frome Festival. The festival, in its 3rd year, had exhibitions and displays in different venues across Frome. My Disrupted Landscapes photograph was included in the Open Call Finalists exhibition at the Station Gallery, along with work by 23 other artists. On the day, I visited a couple of the venues were closed, but I did get to see some wonderful exhibitions. Highlights were work by Evgeniya Strygina, Joanne Coates, Sarah Palmer, and Sujata Setia.

In mid-April I was excited to go back to LCC, University of the Arts London, to give an artist’s talk to the 2nd year Documentary Photography and Photojournalism students. I spoke about my MA - now 4 years ago - and the photography and video I have been working on since. My MA was such a great experience, it was lovely to be invited back to LCC again.

New gallery shop

A week ago I set up a gallery shop on this website with 12 signed, limited-edition, Giclee prints, each priced at £100 + postage. The prints are from different series and do not exist elsewhere - hope you will take a look! I will also have a couple of prints for sale at Photo London next month.

March 2025

There is a lot of news this month. I was very excited to visit Madrid for the first time in March, to take part in the FICIMAD film festival. My short film, Vanishing, which won the Best Documentary Director Short Movies award last year, was screened at the Ateneo, which is an emblematic and historic place where many Spanish and international Nobel Prize winners such as Marie Curie and Albert Einstein have given talks and conferences. All of the films on the programme were preceded by short interviews on stage by their Directors and crew, so I was able to discuss the film before it was screened. A very memorable evening for everyone who took part. Although I was only in Madrid for a couple of days I was able to visit the Prado, and enjoy walking around the city.

Three photographs from Disrupted Landscapes on show at Proud Galleries, London, with two photographs by Chloe Rosser

The exhibition, Collective Visions, at Proud Galleries, London, opened on 6 March, and has now been extended to 12 April, with a talk scheduled for the last Saturday. It was an enjoyable opening, with many of the Photo Book Club Collective exhibitors at the gallery. My photographs were printed as Giclees and two had not been printed previously. All the work was curated and framed by the gallery.

Disrupted Landscapes selected for Photo Frome Festival Open Call exhibition

In early March Photo Frome Festival announced the finalists for its first Open Call exhibition. I am very happy to be included in this show, which will be on display at the Station Gallery, Frome, from 5 April - 27 April. I can’t wait to see all the shows that have been programmed around the theme of inequality, which includes work by Nick Hedges, Susan Meiselas and Paul Seawright.

Finally, Vanishing was screened in Folkestone on 24 March as part of the Folkestone Film Festival. I was unable to visit unfortunately. Vanishing was also made an Official Selection of the Cinematic European Film Festival (a quarterly festival in Romania) and that screening took place at the end of February.

February 2025

Lots of news as the month draws to a close. Tomorrow the RBSA Photography Prize exhibition opens at the RBSA Gallery in Birmingham’s Jewellery Quarter and will run until 22 March. It’s a large group exhibition and I’m happy to have work from Disrupted Landscapes included. When I visited the gallery they had a wonderful exhibition, Remembering is Painful, Forgetting is Unbearable: Creative Responses to Terror. If you live near Birmingham please visit - the private view, which will include a speech by renowned Birmingham photographer Vanley Burke, is from 18.00 - 20.00 and all are welcome.

Collective Visions at Proud Galleries, London

In March I’m excited to be exhibiting in Collective Visions at Proud Galleries with 12 amazing photographers from the Photo Book Club Collective who will also be presenting their self-published photo books alongside their photographic archival prints. The show starts 6 March and runs until 1 April. The individual photographs have been curated and framed by the gallery, and I’m happy to be showing 3 prints from my extended Disrupted Landscapes series, two which have not been previously exhibited. I hope you will come along and see the exhibition!

Exhibitors: Annie-Marie Michel, Chloe Rosser, Gabrielle Motola, Holly Revell, Jane Wiedel, John Walmsley, Mandy Williams, Marc Wilson, Mark A Phillips, Paul Treacy, Rob Clayton, Soulla Petrou, Tessa Bunney.

Still image from Vanishing

Finally, my short video, Vanishing, has been selected for the curated screening program of the Balkan Can Kino Film Festival season of 2025-2026, to take place in Athens, Greece. It has also received Official Selection for the Folkestone Film Festival, which is a less formal quarterly festival. I am hoping that a screening in Madrid will go ahead in March which is exciting.

January 2025

At the end of December I was in Naples, Italy for a short visit. I had visited before, but never stayed in the city. It was a memorable trip, though not as much of a holiday as I had hoped. I found it a very friendly city - was great to walk around the back streets and get a sense of its day to day life, as well as taking in the wonderful views of the Bay from Vomero and along the waterfront in Chiaia.

View of the Bay from Vomero, Naples

This month I’ve been trying to write something new, which I hope will become a publication or a narration for a short film. The work is once again situated around the south coast of England, a location which continues to be an inspiration. I have some things planned over the next few months as well. Let’s see what happens!

December 2024

Just 10 days left in 2024. It’s been a dramatic and frequently challenging year personally but a good year for work, and creative opportunities. Finally, after many years I was able to exhibit work from Disrupted Landscapes in public. Two wonderful exhibitions - one at Four Corners with Colin Pantall and Dawn Rodgers, and one for Photo Fringe with Pippa Healy. A great experience. And my video, Vanishing, has had a really good year in the UK and overseas which has been exciting.

Heading into the unknown in 2025. Hoping that I’ll create some new work, take creative risks, and continue to be inspired by landscape, politics and art.

As always, hoping for a calmer year for everyone, more compassion, less cruelty, more peace in this world.

November 2024

In late October I received the news that my short video, Vanishing, was an Official Selection for the Earth in Focus Singapore Nature Film Award. The award was separate to the film festival screenings though a part of its programme. The festival had received more than 1000 film submissions from 95 countries, so I was very happy to have the film acknowledged in this way.

Also, at the end of October, I returned to the Kent coast with my camera. I spent a long time documenting the chalk cliffs near Dover and seeing how the geology had changed since my last visit. I have begun to use some of the documentary photographs from this trip to create new work for Disrupted Landscapes. I’ve also started writing again, although I’m not yet sure what form this work might take.

October 2024

This place is not a passive landscape, the exhibition by Pippa Healy and myself for Photo Fringe, took place at The Regency Town House 4 - 13 October. On 5 October we had an artist’s talk led by artist and lecturer Zoe Childerley followed by a private view. It was great to see so many people at the talk who had come to see our exhibition and the photography exhibition on the ground floor by Richard Boll.

The festival launch the night before at Phoenix Arts Space had been packed with photography exhibitors and their friends and it was wonderful to see so many familiar faces. I had really enjoyed the Symbiosis III curated by Hayley Harrison, Melanie King and Ky Lewis, as well as the university exhibition What Lies Beneath by Zoe Childerley and Holly Birtles, and Martin Seeds exhibition, Sometimes a feeling is all we humans have to go on.

Our own exhibition was well attended the second week and we had a Zines Special on the 12 October. I enjoyed many conversations with people each time I was there and felt there was really good engagement with our work. The show had been in development since late April, and although seven of my eleven prints had been shown at Four Corners in March, the layout of the room and its ambience meant a complete rethink for the installation. Four of the works were newly produced including the two larger prints on aluminium displayed centrally above the fireplace.

Visitors to the exhibition, The place is not a passive landscape

My video, Vanishing, is currently part of an exhibition in The Hague. Curated by 0-1 gallery, the exhibition, MACHINE ECHOES, is at See Lab, The Hague from 19-26 October. Featuring nine artists, the exhibition explores the evolving connection between nature and technology, navigating into AI, the transformation of communication, and the future of ecological awareness. There are links to each artist’s work on 0-1 gallery’s website, including a short trailer I made for Vanishing. I am excited and grateful to be included in this show with these other artists.

From Vanishing, 2023

August 2024

In August I finally got to visit the Isles of Scilly, somewhere that I had been curious to visit for a long time. Travelling with my friend, Lulu, we stayed on St Mary’s and took ferries to Tresco and St Martin’s. It was only for a few days but we were incredibly lucky with the weather and the scenery was as spectacular as I had imagined.

Vanishing, 2023

In early August my film, Vanishing, was made an Official Selection for the NATURE & CULTURE: International Poetry Film Festival which focuses on the poetics of nature and environment, and takes place annually in Copenhagen, Denmark. This 4th edition of the festival will take place in October.

Vanishing will also be screened in The Hague, in October.

Recent work with Disrupted Landscapes

Throughout August I was also making new work for Disrupted Landscapes which involves positive and negative geologies and drawing on the image. I started making work this way in late 2023 but the scale was much smaller. This month I was aiming for larger-scale photographs that would be mounted on aluminium. I am planning to exhibit one of the recent photographs in October.

July 2024

Collective 22’s third exhibition, Shared Grounds, was at London Gallery West, University of Westminster from 12 - 20 July. Thirteen members of the collective took part in this show, which follows earlier exhibitions in 2022 at Brighton Photo Fringe and in Derby for the completion of our East Meets West masterclass. Shared Grounds was a dynamic looking exhibition, and London Gallery West was a wonderful space to install our work. I was happy that I could try out a couple of new Disrupted Landscapes pieces in this show.

South coast

After a very long absence I was finally able to get down to the coast and take photographs on the beach. My injury in January had meant I couldn’t take the risk, and I still felt cautious walking over the rocks and shingle. It felt great to be back by the sea at last and make up for lost time, and I’ve already been working up different ideas from these new images.

Also this month, I’ve been working on an installation layout for my work in a two-person show this autumn. Some of the images that I exhibited at Four Corners in March will be included but the room layout means that a few new pieces will be included too. Looking forward to it!

June 2024

The Earth Photo 2024 exhibition at the Royal Geographical Society opened on 18 June and will run until 21 August.

This is the first time that my video, Vanishing, has been shown in London, and I’m delighted that my quirky, idiosyncratic film about the climate crisis is included among such wonderful international photography and video. Congratulations to all the other exhibitors!

Earth Photo will travel to other locations including six Forestry England forests and to National Trust properties and the Sidney Nolan Trust and the Heligan Gardens.

Taken at Earth Photo 2024 exhibition at the Royal Geographical Society, London

Vanishing has also been selected for ESC 2034: Machine Echoes - the first of 3 shows organised by 0-1 gallery in The Hague exploring nature and technology under the narrative ‘A decade into the future.’
The show this autumn in the Netherlands will include work by artists Ana Esteve Reig, Andrea Martinucci, Chloé Azzopardi, Domas Anne van Wijk, Eva Anerrapsi, Jakub Geltner, Joanna Grochowska, Lorenzo Zerbini, and Sarah Butler. I’m excited to be a part of it!

May 2024

In early May the shortlist for Earth Photo 2024 was announced and I’m delighted to have my video, Vanishing included. 31 photographers and 13 filmmakers from around the world have made the shortlist. The exhibition will be at the Royal Geographical Society from 18 June to 21 August and travel to six Forestry England Forests from 1 July 2024 to 23 March 2025 and to National Trust properties across the UK, plus the Sidney Nolan Trust and the Heligan Gardens. I’m really excited to see the exhibition next month.

Photofusion’s Salon/24 exhibition private view

May is Photo Month in London and in early May Photofusion opened their new space in Brixton with their members’ exhibition, Salon/24, curated by their recent Director, Kim Shaw. I have one of my small Chalk Shadow pieces in the show. The opening was full of familiar faces - a celebration of the photography community in London.

Photo London

Despite having a sprained ankle I made it to Photo London and Peckham 24 this month but kept walking around to a minimum. The enjoyment is catching up with other photographers who you may not have seen for a while, seeing work that is inspiring and resonates, and at Photo London being introduced to galleries in Europe that are supporting interesting work. The book fair in Peckham 24 was a great addition with plenty of wonderful publications.

April 2024

This month I was featured on A Photographic Life on The United Nations of Photography podcast, talking about what photography means to me (in just 5 minutes). I spoke about moving image vs photography and went back in time to talk about some very early work.

Dr Grant Scott founded the United Nations of Photography in 2012. He’s featured some really interesting photographers on his podcast over the years which you can scroll through and listen to - all with their personal view on photography. I’m grateful to have been invited to contribute.

Artists Responding To … Issue 10

In early April I heard that a series of still images from my video, Vanishing, are being featured in the Spring issue of Artists Responding To Magazine. The Quarterly Magazine, started by Polly Bates in 2020, features international artist-led projects responding to environmental, political and social issues, as well as UK exhibition highlights and reviews.

I’ve also received some additional good news about Vanishing, which hopefully I can share next month.

Vanishing - Hastings Film Festival

In mid-April I went to the Hastings Rocks International Film Festival where my short, experimental film, Vanishing was part of the Experimental Cinema Official Selection. I was very happy to be included in the programme as I had enjoyed being a part of the 2023 Festival with my short film, Chalk. I thought all of the films in the Experimental Screening at Hypha Studios were interesting and especially enjoyed Trish Morrissey’s film Eupnea which deservedly won the award for Best Experimental Film, and Picturing Wonderland by Alfie Elms.

March 2024 - part two

I launched my new zine, Chalk, at our Disrupted Landscapes exhibition at Four Corners in mid-March. The zine is in an edition of 100, and is also available to purchase from this website. I really enjoyed working to an A4 format this time, and being able to include images from the coast that have been a part of recent photography and video projects. Chalk also includes two essays on my Disrupted Landscapes work from writers Diane Smyth and Jane Madsen.

Vanishing, 2024

This month has also brought some good news for my short film, Vanishing. In mid-March it was an award winner in the Best Documentary Director in the Short Movies category at the 2024 Festival Internacional de Cine Independiente de Madrid (FICIMAD). There is a thoughtful description of the film in their awards catalogue which describes is as a “timely warning about the fragility of the planet” and a “transgressive, moving and necessary film”.

Vanishing has also been awarded Official Selection at the Hastings Rocks International Film Festival 2024 and will be screened in their experimental programme.

Vanishing was a difficult film to make and at times I wondered if I would even be able to finish it. It's probably a feeling that many people making films recognise. I'm just grateful that I did find a way to complete it and that it's been given these opportunities.

Vanishing, 2024

March 2024

The 3-person exhibition, Disrupted Landscapes, featuring photography and video by Colin Pantall, Dawn Rodgers, and myself, took place at Four Corners 13-16 March. The show was installed on the Tuesday, opened on Wednesday and the private view was Thursday evening. We wanted as many people as possible to see it in this short space of time and we were delighted with the response we received to our exhibition.

Visitors to the exhibition at Four Corners, London

It had been a long time since I had exhibited a body of work in London, as past solo exhibitions took place in Margate, Brighton, and Worthing, Sussex. I had wanted to show my Disrupted Landscapes project for a while as the MA grad show was unable to open due to full lockdown in early 2021. The project has grown since then, and this exhibition featured work from 2020 - 2024. Four Corners with its long history of showing activist photography was the perfect place for this work.

British Journal of Photography Virtual Reality issue, March 2024

My project Disrupted Landscapes was given a wonderful boost by being included in the March issue of the British Journal of Photography. Late last year I was interviewed by Philippa Kelly for the magazine’s March issue focusing on Virtual Reality. This section looked at how photographers use form to make a statement, and featured five photographers commenting on the land. I am delighted to be a part of this inspiring issue, and am grateful to the editor, Diane Smyth, for thinking of my work, and also for visiting the exhibition.

January 2024

At the end of last year I was lucky enough to spend some time in Marrakech, my third visit to Morocco having previously visited Tangier twice. It was a lovely break and we stayed within the medina with its wonderful scents, sights and sounds enveloping us.

Marrakech, December 2023

Since the start of the year I’ve been preparing for a three-person exhibition with Colin Pantall and Dawn Rodgers. I’ve been printing up some recent work in preparation, running tests and having work framed. Not long to go - more info next month.

I’ve also been experimenting with some new Disrupted Landscapes work. The images evolve but the motivation is the same. Not abstract for aesthetic purposes, but trying to find a meaning in this conflicted and broken country.

December 2023

Looking back on 2023 - a year of personal challenges and global heartache. Hard to consider 2023 in a positive light but nontheless I am very grateful for the art opportunities that came my way during the year, some of which are pictured above.

In 2024 I look forward to showing some of my Disrupted Landscapes work in London and producing a new zine, Chalk.

Hoping for a calmer year, more compassion, less cruelty, more peace in this world.

November 2023

It’s been a good month for my new video, Vanishing. The film was screened at the CMR Project Space in Redruth as an Official Selection of the Cornwall Film Festival. It was programmed within their Experimental Film Weekender.

Vanishing has also made the Official Selection for the Festival CinemaZERO 2023 “Visions Beyond the Anthropocene” MUSE award competition which means that it will be screened with seven other shortlisted films in Trento, Italy on 3 December. Festival CinemaZERO has been running 16 years and I love how it is dedicated to films that have ‘a different attitude, adventurous or poetic, DIY or punk, anarchic or self-sufficient; that speak with a personal, intimate, courageous and autonomous voice’.

Finally, Vanishing has also been longlisted for the Zealous Amplify creative competition on the theme of Environment. There are 50 creative projects on this longlist - photography, video and different media. I look forward to finding out more about the projects during the competition.

When I finished the short video at the end of August my main emotion was relief! It had been a long and challenging project for me for different reasons but was completed with Juliet’s reading of the voiceover. I’m so pleased it has been given these opportunities.

Opening night of the London Group Open 2023 at Copeland Gallery

The London Group Open exhibition previewed on 9 November and there was a huge turn-out at Copeland Gallery. There were 158 artworks from member and selected non-member exhibitors and a strong selection of video and sculptural installations. My video, Chalk, was projected as part of a four-video loop and I really enjoyed the other videos in that selection, one of which received a prize. I invigilated one afternoon, which was a great opportunity to see the work when it was less busy - although there were people arriving throughout - and it was a chance to talk to other exhibitors and members of the London Group. The exhibition ran from 10 - 26 November.

Chalk video projected at the Copeland Gallery, Peckham

October 2023

At the end of September I found out that my Chalk video had been selected for The London Group Open 2023 exhibition at Copeland Gallery. I had exhibited with the London Group before in their 2017 Open and enjoyed the experience. The fact this year’s exhibition is being held at the Copeland Gallery in Peckham is a bonus as it’s such a special place. I’m excited to see the works on display when it opens next month.

Leave to Remain: A Snapshot of Brexit

In mid-October at the London School of Economics, there was a talk and book launch for Leave to Remain: A Snapshot of Brexit, written by Noni Stacey and published by Lund Humphries. I went along and really enjoyed the evening and Noni’s conversation with LSE Professor Tony Travers. There were so many questions from the audience which showed how interested people are in the fall-out from Brexit and the ways in which artists have been responding to it. A few of the other contributors were present and it was lovely to finally meet in person.

Vanishing, 2023

October has been a good month for my new video, Vanishing. It is an Official Selection for the Cornwall Film Festival 2023 in the category, Experimental Film - Artist Moving Image and the festival takes place in November. I would love to be there as it sounds like a great festival. It’s been running 22 years and has Mike Leigh is its patron. Vanishing is also an Official Selection for the Cannes Continental Film Festival, which is an online festival.

September 2023

From the end of August until 7 September, I was in western Canada for a family visit. It was four years since I had visited and usually the journey involves a long drive south from Alberta into British Columbia. Canada has been experiencing a record number of forest fires this year, and on the drive between provinces many newly devastated areas of burned forests lined the highway. 3 days ago the Canadian National Wildland Fire Report stated there were 229 uncontrolled fires, 95 fires being held and 163 fires under control.

Noni Stacey’s new book, Leave to Remain: A Snapshot of Brexit, was published by Lund Humphries on 7 September. It explores art and activism as well as insights into English society, national identity, migration, colonialism, racism, austerity, and the border in Northern Ireland and Scotland. So pleased to be a part of this timely publication. There is a launch at Photo Museum Ireland on 29 September and one at LSE, London on 19 October.